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Mahoney had been like that from the start, albeit in his quiet way, eschewing all histrionics.
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His emotional performance was deeply moving, and it was tempting to assume it had something to do with his health, but Mahoney was a formidable actor and this was not the first time he had summoned up tears. Slight, ruddy faced and unfailingly good-natured, Mahoney was hired as Steppenwolf’s designated adult, and he relished the role until his final appearance - this past fall in Jessica Dickey’s play “The Rembrandt,” an examination of art and mortality. Plays being plays, Steppenwolf badly needed someone who could take on older male roles. In 1979, Steppenwolf still was populated by people, all friends, who were 15 or 20 years younger than Mahoney. At the time, the early ensemble members were allowed to sponsor the entrance of others. In 1979, his friends John Malkovich and Gary Sinise invited him to join their still-nascent Steppenwolf, after they’d seen him taking acting classes at the St. Mahoney’s late bloom happened during the Chicago theater renaissance in the late 1970s. “By the time I started my career, most people had given up and started selling insurance,” Mahoney once said. But over the years, he lavished most of his time and attention on his beloved Steppenwolf, appearing in more than 30 productions in total at the theater, including Conor McPherson’s “The Seafarer” in 2008, perhaps Mahoney’s most devastating performance, if only for the way it emphasized his inherent frailty. By not having to worry about money, he was able to work on what he wanted - like acting for scale in “Long Day’s Journey Into Night” at Chicago’s tiny Irish Repertory Theatre.
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His success on that show meant that, thereafter, he could focus on Chicago theater, his great love, and on the Steppenwolf Theatre in particular. Mahoney was always grateful for what “Frasier” had done for him and took care to say so on numerous occasions. I don’t want to talk about it for the rest of my life.” I’m 63, I’ve made a ton of money and I don’t have to worry about my next job. “I just couldn’t be bothered,” Mahoney told the Tribune in 2004.
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He didn’t show up in 2001 when no less than Oprah Winfrey invited the entire cast of the sitcom onto her vaunted talk show. Once “Frasier” was over, Mahoney refused to participate in the usual nostalgic reunions. citizen in 1959.įor another, Mahoney hated Los Angeles and greatly preferred Oak Park, where he lived quietly for years. And he never went back to Britain to live, becoming a U.S. That visit made such an impression on his boyhood self, Mahoney found his way back to Chicago eight years later, under his sister’s sponsorship. Born in 1940, he first came to Illinois when he was 11 years old to visit his sister Vera, a war bride. He was a child of Manchester, England, a wartime evacuee to Blackpool on the Lancashire coast. Mahoney died Sunday at the age of 77 of complications from throat cancer.įor one thing, Mahoney was born British, despite his having no trace of a discernible accent. But the famously private Steppenwolf Theatre ensemble member was far more than the Hollywood gossip columnists ever knew. Millions of people thought they knew the actor John Mahoney from his work in the NBC sitcom “Frasier” - for 11 hit seasons from 1993 through 2004, he played a cranky Seattle police officer who’d taken a bullet in the hip and then been forced to live with his neurotic son.